Stripping the screenplay off words, the disturbance arises from a seamless amalgamation of image and sound. Most of the film in present time shows the ritual abuse and humiliation the bereft Eva suffers from the community that she continues to live in after Kevin's deeds. It discloses its narrative fitfully, in snatches and gobbets that make sense only gradually, like the . He's aware of her feelings toward him, and throughout the film, points them out. It was definitely a challenge to play the straight character to these guys, but it was also kind of like, okay, this is my role. It must be something like this to have a nervous breakdown. When Eva goes to meet Kevin in the detention center, she asks him the same question. Indeed, Kevin is a relentless film that gives its audience few opportunities to come up for air from the depths of anguish to which it plummets. It suffers from an excess of clunky foreshadowing and there's very little I find believable about the characters' actions. Overview. Maternal ambivalence turns into filial antagonism, colouring her perception of him as inherently evil. Contact | "We Need to Talk About Kevin" is a movie adaptation of Lionel Shriver's novel with the same title. What if she knew while being pregnant that she is about to give birth to a monster? Eva and Franklin never seek psychiatric help for their son; they can't talk about Kevin without fighting. It is a world where any attempts to offer a message of mercy, conversion and redemption must be done deftly and authentically, because at the end of the day, sometimes the community won't rally around you and more often than not Mr. Potter carries the day. While we are not sure whether Kevin consumed the eye itself, we know from the book that Kevin keeps Celias glass eye as a souvenir after assailing her. He grows into a spiteful toddler, refusing to say "mommy" and egging on her frustrations. Outward appearances of mother and son match their steely interiority as neither suffers fools gladly and both abhor artifice and sentimentality. February 24, 2023 at 12:05 PM ET. Will, get up. Her emotional state doesnt change even when Kevin is born. We Need to Talk About Kevin Jump to Edit Summaries Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. Some interpreted scene at the gym as her being repulsed by pregnant bodies, but I am thinking she was like "why can't I be happy and bubbly with this child like they are?" We see it in her bond with the more amiable Celia. The shelves and tabletops are as barren as those in a display home. Updated Date: From here he becomes a sociopathic teen with a rather keen interest in archery. Swinton gives an outstanding performance, somehow managing to repeatedly convey implacability and vulnerability in the same moment. For more information, please see our On one prison visit, he describes her throwing him at a wall and breaking his arm as "the most honest thing you ever did.". Kevin's antics swell into violence during his teenage years, further driving a wedge between his parents and mutilating his little sister Celia (Ashley Gerasimovich) along the way. Reilly is typically wonderful in a thankless role, while both juvenile actors evince a low-grade rage that never moves into complete disconnection or full-blown psychosis. She asks Kevin why he didn't kill her. As Kevin develops, he refuses to be potty-trained, mocks Eva and rejects her attempts at physical affection. Nicoletta Vallorani in her essay Of women and children: Bad mothers as rough heroes, reads a Biblical metaphor into We Need to Talk About Kevin. Fr. She's like a fish out of water. If you are having trouble tying loose ends, let us assist you in the process. One day, Celia loses one of her eyes from toxic cleaning supplies, and Kevin becomes a prime suspect. We're supposed to understand Kevin through Eva's flashbacks, which are indeed confusing, but not chronologically, where the difference lies solely in Tilda Swinton's hairstyle. Kevin is seen at three ages. At one point, she mockingly coos at him, "Mommy was happy before little Kevin came along. ROHAN: Since Jentorra is the leader of the rebellion, was there anything specificyou tried to channel or watch to get into her headspace? Psychology Today describes the "nature vs. nurture" debate as questioning how both elements impact a person's characteristics. The cast ensemble, with Tilda Swinton, John C. Reilly, and Ezra Miller in a menacing role, cannot be praised enough. ET. At first glance, it would seem that Kevin is yet another installment in the pantheon of post-modern films intent upon assaulting the human desire to give meaning to the world. But when he just sits there frowning, she expresses real disgust towards him. In front of his mother, Kevin is often a difficult, menacing and unresponsive boy. The brooding tone of the narrative prepares the audience for a devastating ending, but in hindsight, some of you may have seen it coming. All Rights Reserved. Being a child somehow means they're inherently innocent. The camera zooms in, but the scene cuts just before we can get a peek on what's on the other side of it. Did your prior experience help prepare you for some of what to expect on Quantumania? Author Lionel Shriver on her early writing, politics, essential reading list and persevering out of 'sheer spite'. Starring Tilda Swinton, John C. Reilly When his father is around, Kevin behaves like a charming and enthusiastic kid. Kevin is neither rational nor articulate enough to identify his desire, that is, to have an authentic and fully realized relationship with his mother. Three days before turning 16, Kevin unleashes chaos in his school. We Need to Talk About Kevin is a 2003 novel by Lionel Shriver. Ramsay regularly cuts to a scene where Eva is driving her car past flashing police lights toward the scene of some tragedy. Helmed by Scottish filmmaker Lynne Ramsay based on the Orange Prize-winning eponymous 2003 novel by Lionel Shriver, 'We Need to Talk About Kevin' is a jarring, erratic, and sometimes profoundly disturbing 2011 psychological thriller that creates an uncanny place in the viewer's mind. That the film works so brilliantly is a tribute in large part to the actors. BBC Films this is the best pro-antinatalism PSA out there . That's the underlying message of We Need to Talk about Kevin, Lynne Ramsey's remarkable allegory on the transcendent nature of relationships. Directed by Lynne Ramsay, "We Need to Talk About Kevin" is fragments of time, jagged and confusing, lurching around inside her mind. Now I'm not so sure." Three days before his 16th birthday, Kevin Khatchadourian (Ezra Miller) kills several students, a teacher and a cafeteria worker in his high school gymnasium. Super-Hero partners Scott Lang (Paul Rudd) and Hope van Dyne (Evangeline Lilly) return to continue their adventures as Ant-Man and the Wasp. But by the time he is a seven year-old, he starts to act in ways that seem in excess of whatever defects in mother love he may be getting. Helmed by Scottish filmmaker Lynne Ramsay based on the Orange Prize-winning eponymous 2003 novel by Lionel Shriver, We Need to Talk About Kevin is a jarring, erratic, and sometimes profoundly disturbing 2011 psychological thriller that creates an uncanny place in the viewers mind. American release: January 27, 2012. For Kevin, maternal love and attention have become completely conflated with disgust and fear. We see it in the wall of canned tomatoes that play backdrop to Evas anxiety attack in a supermarket, and the Cabernets she drowns her sorrows with. Mimicking the cyclical nature of trauma, the shot repeats in the climax, where Eva discovers the slain bodies of her husband and daughter. Eve disobeyed, she ate the apple and she was punished by becoming not only human but also a mother. Privacy | ROHAN: Was there anything major cut that you remember shooting? At one point, she mockingly. She lives with the guilt of what her son did, on top of the guilt of knowing she did nothing about the various warning signs. Don't post randomness/off-topic comments. In 1975, he won the Pulitzer Prize for distinguished criticism. We Need to Talk about Kevin in fact needs to be talked about, as what it is attempting to do by marrying the darkest, most nihilistic components of contemporary cinema with a redemptive message is groundbreaking. Because Kevin is infallible to Franklin, he's also incapable of needing help, and as a result Franklin seems to have no respect to any sort of danger to his son, even giving a disturbed young man a lethal weapon just for fun on his fifteenth birthday - something that could even be considered an act in direct defiance of the reality of his son's deteriorating mental state, or even a dare. It's hard not to see some of Eva's frustration at her changed lifethey leave the city and she is left with most of the child careas manifesting in a kind of resentment of Kevin. And the whole thought was just to fight and keep fighting? In reality, Kevin has an acquired taste for sadistic vengeance, and the lychee symbolizes Celias eye in the scene. Rated R She is less interested in the nature vs nurture debate, more in the crippling weight of societal expectations of motherhood. Site Map | Powered by WordPress.com VIP. Terms Of Service | The real horror in the movie is society's dogmatic conception of motherhood, and the pressure to live up to it. Not that she has a ton of options she struggles to find work and be accepted by those around her. Kevin replies that he thought he knew why but now hes not sure anymore. We Need to Talk About Kevin (2011) photos, including production stills, premiere photos and other event photos, publicity photos, behind-the-scenes, and more. Fast forward to fifteen year old Kevin, and we can see that this habit has become his worldview. It seems that Kevin wears old and small clothes to bring her mothers neglect to the worlds attention. Kevin was not necessarily abused or tortured as a child, many kids endure much worse and did not end up as mass killers. Community Guidelines | We Need to Talk About Kevin is already playing in NYC; it opens today in LA, Chicago, Houston and Phoenix and is rolling out nationwide. There is some resentment over Kevin's arrival deterring her professional ambitions. It's why vandals paint Evas house in red, and neighbours take out their anger on her. Little matters like washing blood red paint off the windows of her diminished home that angry residents have vandalized, become rituals of self-abnegation and penance. As a baby and toddler, he is merely colicky, irritating and would try the patience of a saint. Eva is attempting to play the part of mommy as defined by popular culture; the cooing, gooey, all-encompassing ubiquitousness to her child. Kevin chooses to conceal the incident from Franklin. Like Jentorra kind of was the reason that her society collapsed in a way, in the comic books. None of that takes anything away from yet another deeply felt performance by the always-interesting Swinton. The novel explores themes of nihilism, motherhood, the relationship between violence and depravity, and much more. Through association and contextualization, it becomes evident that Kevin killed his father and sister with the new and powerful bow and arrow that he received as a Christmas present from his father. We see her birthing of him as rather fraught and his incessant crying drives her nearly mad. Crypto edition that "We Need to Talk About Kevin" asks an explicit question, "Yet I hope that this question is no more resolved in the book than crude oppositions like 'nature vs. nurture' are ever reconciled in real life.". The comedy had to come elsewhere there. Eva and Franklin are a happily married couple till Eva gives birth to Kevin. Despite his crime, she sells the house to pay the legal fees, moves closer to the prison so she can visit him, and continues to support him. We see this throughout Kevin's early developmental journey. The non-linear approach makes the somewhat inevitable events more powerful and though Miller is effective as Kevin, younger actor Newell actually impressed me even more. How difficult was it to play the straight woman when everyone around you gets to be fairly silly in the early scenes? Will she continue living in their hometown, where she's harassed by locals who blame her for the deaths? The film depicts him as a psychopath beyond redemption. Neither parent punishes him or seeks outside help, leaving him to his own devices. Rated the #74 best film of 2011, and #5264 in the greatest all-time movies (according to RYM users). He grows into a spiteful toddler, refusing to say "mommy" and egging on her frustrations. Starring: Tilda Swinton, Ezra Miller, John C. Reilly. Kevin relentlessly cries in the custody of Eva, but Franklin seems to know how to stop him. Kevin gets taught about sex from his mother but he already knows what it is and calls it "fucking". From ths beginning of the movie they lay out the whole story, but it isn't until you watch the full thing that you piece everything together and get this larger than life story. It'd be so much fun. The desolate inner worlds of Ramsay's protagonists come alive through a sensory perspective. She sits in a blank daze in the hospital room. Children seldom get that attention, though. Years later, the birth of her daughter Celia, on the other hand, feels more festive. Unfortunately, Eva either doesnt know or refuses to know what a more meaningful relationship with her son would look like; thus when their dinner begins with her asking him how school is going, Kevin immediately shuts her down, offering up a clichd mother/son dialogue full of rote questions and deadened responses. Instead, maternal ambivalence is coded as horror. Eva's point of view is obviously not reliable, and her segments are intended to portray that she's entered a cycle of deep self-abuse over having raised a psychopath. I got to try some fight choreo, but all in all, yeah, it helped me prepare, I will say I was much more excited to be a good guy instead of a lame, side character, bad guy. 112 minutes An unshakeable experience and a daring experiment in film form, Lynne Ramsay's We Need to Talk About Kevin challenged conventional wisdom on what makes for a good adaptation. The colour red is a recurring motif in the film. Ramsay improves on Shriver's portrait of a mother with an honesty that leaves us thinking about Eva long after the credits roll. When the child Kevin is sick and nuzzles close to his mother as she reads, his father comes to the door and is rejected in favor of his mother, the look on Evas face is one of wonder and delight. When he is interviewed on TV, a reflection of Eva's face on the screen is overlaid on his. Directed by: Lynne Ramsay. Eva has spent the events of the film in deep introspection, coming to terms with the fact that she was an abusive mother, and at least some of what happened grew out of that. Prefer Ramsay's earlier pictures to this flawed but interesting piece. The truth to motherhood is a harsh one. An early scene shows Eva apparently participating in an orgy in a lake of blood. We see Kevin as a troubled kid who may need greater care. Tilda Swinton, in a bracing, tour-de-force performance,. Before the film opens, the character referred to in the title of Lynne Ramsay's We Need to Talk About Kevin, at the age of 15, has massacred a number of his fellow schoolmates. The bed, the gown, and the walls bleed into each other in their cold whiteness, externalising her inner state of mind. Not here. With Franklin there is no conflict. Starring: Tilda Swinton,John C. Reilly,Ezra Miller Watch all you want. Eva often looks like she's in a state of shock. We Need to Talk About Kevin. By. How would I behave if basically the weight of a literal realm was on my shoulders? ", As with any book-to-film adaptation, some of the nuances were lost in translation. Directed by Lynne Ramsay, "We Need to Talk About Kevin" is fragments of time, jagged and confusing, lurching around inside her mind. Kevin is a story of hope for a new millennium, an It's a Wonderful Life in the age of school shootings and planes crashing into buildings -- a world-weary world that has been bombarded by nihilistic themes in their narratives for the better part of a century. Kevin has a real emotional attachment to his bow because the only time his mother showed him genuine affection was when he had the flu, and she read Robin Hood to him. All of the performances are secondary to an urgently compelling narrative that is both agonizing to witness and impossible to look away from. ROHAN: Since Jentorra and most of her freedom fighters make it out alive, have you heard anything about coming back for more Quantum Realm adventures down the line? The murder spree began with his father and sister suffering the same fate earlier that day. For example, sociopaths are more erratic, and they dont make drastic decisions such as Kevins. Together, with Hopes parents Janet van Dyne (Michelle Pfeiffer) and Hank Pym (Michael Douglas), and Scotts daughter Cassie Lang (Kathryn Newton), the family finds themselves exploring the Quantum Realm, interacting with strange new creatures and embarking on an adventure that will push them beyond the limits of what they thought possible. Still, the film should not be overshadowed by its leads performance, as is often the case with female Oscar nominees. The film shifts almost all of its attention to the mother of the disturbed Kevin, Eva (Swinton). He is her., Her identity forever defined by the horrors inflicted by her son, Evas punishment is her loneliness. Hosted by Michael Barbaro and Sabrina . The real monster is expecting nothing less than unconditional love. Kevin grows a liking for the fictional character of Robin Hood, and his father gifts him a bow and arrow. But he hates her the most due to her pretense and dishonesty, it seems. KATY: We had this whole scene where we're all cheering at the end kind of thing. Haunted by the past, Eva's memories are triggered by sounds, objects and everyday minutiae. Her body can't absorb more punishment. Despite the fact that Eva is a travel writer of particular renown, she is bound by an understanding of mother/child relationships that do not correspond with her own relationship with her son. The point here is not to understand Kevin at all. Kevin grows up to be ever more distant. But Ramsay is less interested in the blame game, more in how trauma can put us in a vicious cycle of self-inflicted pain. Alienated from friends and community, all she has left is her son. Kevin does things to Eva in this movie that are so cruel that an evil demon seems to be regarding her from his eyes. ANT-MAN AND THE WASP: QUANTUMANIA Star Katy O'Brian On Deleted Bill Murray Scene, Backstory & More (Exclusive). The impressionistic nature of the film does not blurt out the whole truth, and the audience has to make their own journey to construct the meaning. Copyright | Eva takes incessant trips down memory lane to cope with her past loss. When she asks him that honest question, having accepted the reality of her abuse towards him, she comes to him totally honest And he no longer feels that underlying connection between love and fear that motivated him to his actions. Kevins clothes are also an avenue to memories for Eva, and in the end, Eva irons and stacks up Kevins clothes in a drawer in the hope that her son will return from prison. Kevin, it seems, is a volatile Holden Caulfield for the generation. Sign up for weekly updates from Busted Halo! Eva believes that some defect of maternal affection had something to do with Kevin's development. What kind of a kitchen has empty counters? Kevin's insidious nature is best exemplified in a scene staged in the aftermath of Celia losing her eye. otakucode 11 yr. ago By accepting all cookies, you agree to our use of cookies to deliver and maintain our services and site, improve the quality of Reddit, personalize Reddit content and advertising, and measure the effectiveness of advertising. Apparently even before he began to talk, Kevin made a vow to punish Eva for her feelings. This review of the film was originally published on December 22, 2011. Speaking with O'Brian following the film's release, she shared her experience on working on the biggest project of her career and how she and director Peyton Reed crafted an elaborate backstory for the leader of the rebellion. Eva Khatchadourian, a former travelogue writer, lives in a rundown shack in an American suburb and goes to meet her son. Kevin does not play ball, and he becomes increasingly manipulative. Annie Graham in Hereditary is conflicted by feelings of love and hate, resentment and remorse, towards her son. Votes are used to help determine the most interesting content on RYM. In any other movie, that would be child abuse. Firstpost - All Rights Reserved. But Kevin is just getting started, and his final act will be be Kevin's mother struggles to love her strange child, despite the increasingly dangerous things he says and does as he grows up. What is lupus, an autoimmune disease diagnosed in Selena Gomez causing her weight gain? Or to put it differently, Ramsay more or less stays true to the novel's somewhat callow and, at times, hysterical approach to the rich questions of maternal doubt. Go. We Need To Talk About Kevin - Behind the Scenes - Tilda Swinton Movie (2011) HD - YouTube 0:00 / 2:18 We Need To Talk About Kevin - Behind the Scenes - Tilda Swinton Movie. As a teenager, Kevin (now played by Ezra Miller) has started to cruelly resemble his mother in profile and hairstyle. I'd be happy to see what they come up with, but, they have more of the understanding of the wildness of the world that they're building. But Kevin is just getting started, and his final act will be beyond anything anyone imagined. There's the Good Mother, like Diane Freeling who travels to another dimension to save her daughter in Poltergeist. In an ordinary movie, there would be scenes in classrooms, meetings with counselors, heart-to-heart discussions between the parents. Following the release of Ant-Man and the Wasp: Quantumania, we caught up with actress Katy O'Brian to talk about her MCU debut as Jentorra, deleted scenes with Bill Murray, and a whole lot more! With his shaggy hair buzzed off and scars covering his pale face, Kevin avoids her eyes and replies, "I used to think I knew. We Need to Talk About Kevin is already playing in NYC; it opens today in LA, Chicago, Houston and Phoenix and is rolling out nationwide. The film loops in time, proceeding mostly chronologically, with some dips forward and backward. Say & quot ; mommy & quot ; mommy & quot ; mommy & quot ; and egging on frustrations., she mockingly coos at him, `` mommy '' and egging on her frustrations, &! The apple and she was punished by becoming not only human but also a mother with an that! Oscar nominees 's development interesting piece a child, many kids endure worse. Like she 's in a vicious cycle of self-inflicted pain by sounds, objects everyday. 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